Adelaide Festival Centre
Inaugural Asia-Pacific Creative Cities Conference sets Sights on the Future
34 cities from 15 countries, including 20 from the Asia-Pacific UNESCO Creative Cities Network (UCCN) have taken part in the first Asia-Pacific Creative Cities Conference, at Adelaide Festival Centre, operator of the Adelaide UNESCO City of Music Office.
Adelaide Festival Centre hosted the inaugural Asia-Pacific Creative Cities Conference
The UNESCO Creative Cities Network was created in 2004 to promote cooperation among cities that have identified creativity as essential to sustainable urban development. The network of 180 cities covers seven creative fields: Design, Literature, Music, Film, Crafts and Folk Arts, Media Arts and Gastronomy.
Organised by Adelaide Festival Centre, the event gathered for the first-time world-leading thinkers, creative practitioners and city and government officials to discuss indigenous arts, language and culture, sustainable development, entrepreneurship, bilateral partnership and tourism and marketing.
Watch: Adelaide – UNESCO City of Music
Adelaide was designated as a City of Music in 2015 and is Australia’s first and only City of Music. Other Australian UNESCO Creative Cities are Sydney (Film), Melbourne (Literature) and Geelong (Design).
UNESCO Creative Cities represented at the inaugural conference came from Australia, Japan, Macau, New Zealand, Thailand, Indonesia, the Philippines, Korea, India, China and Singapore, together with some other cities aspiring to join the UNESCO family.
Industry leaders, creative artists, mayors and government officials participated in robust discussions, explored new ways of building on their Creative City status and enjoyed performances by some of South Australia’s finest musicians.
Delegates discussed how to bolster creativity as a core skill throughout all industries and how healthy development of partnerships in the region promote economic development. Global issues of diversity and inclusion in the policies and strategies of the creative industries were shared.
The pressing need to celebrate and reclaim Indigenous languages of the Asia-Pacific was a subject of debate, focusing on the ways in which decisions about Aboriginal and Indigenous communities are taken and voicing a common aspiration to increase use of Indigenous languages in public spaces and publications.
The Asia-Pacific Creative Cities Conference took place alongside Adelaide Festival Centre’s OzAsia Festival, a perfect showcase of the innovation and creativity of the Asia-Pacific region.
Adelaide Festival Centre CEO & Artistic Director and conference host Douglas Gautier AM was thrilled with the turnout and hopes the conference continues.
“Hosting the very first Asia-Pacific Creative Cities Conference was a real honour and I hope the success of this event means it continues for many more years to come. The event has delivered wonderful opportunities for creative cities to build truly meaningful international relationships,” Douglas Gautier said.
The conference was supported by the Government of South Australia and the Minister for Innovation and Skills, David Pisoni MP, was one of the keynote speakers at the opening proceedings where he emphasised the importance of the creative industries to the State’s economy and future.
City of Adelaide supported the conference and welcomed delegates from UNESCO Creative Cities of music, design, gastronomy, film, literature with a reception at Adelaide Town Hall, hosted by the Lord Mayor, Sandy Verschoor.
Eric Falt, Director and UNESCO Representative for the UNESCO New Delhi Cluster Office praised the conference organisers and welcomed the enthusiasm shown by participants.
“This was a great example of what I now know is the ‘Adelaide spirit’, a can-do approach to opportunities and taking the initiative. This conference was held under the banner of the UNESCO Creative Cities network but was brilliantly conceived and created by Adelaide’s Office of Music, Adelaide Festival Centre and the City of Adelaide,” Eric Falt said.
Delegates encouraged the UNESCO headquarters to embrace the initiative and help with the expertise and resources to build the network’s impact and underpin Creative Cities worldwide.
A 2015 EY report (‘Cultural times: The first global map of cultural and creative industries’) found the Asia-Pacific region has the largest cultural and creative industries market and consumer base in the world, generating US $743 billion in revenues and 12.7 million jobs – or 43% – of the cultural and creative industries jobs worldwide.
The conference concluded with a session to gauge the appetite for future similar meetings in the region. There was overwhelming support for the initiative to continue as an annual gathering and several cities across Asia-Pacific expressed interest in hosting a conference in future years.
A committee of members bas been established to bring together interested cities to determine locations and the issues to be discussed in the coming years.
Find out more about Adelaide: UNESCO City of Music here
OzAsia Festival Named South Australia’s Best Major Event
Adelaide Festival Centre’s OzAsia Festival now holds the title of the state’s best major event following its success at the South Australian Tourism Awards 2019.
OzAsia Festival 2018 was named the winner of Major Festivals and Events on 8 Nov and will go on to compete at the Australian Tourism Awards to be held in March. The announcement follows the success of OzAsia 2019, which finished up on 3 Nov.
Moon Lantern Parade at OzAsia Festival
Held by the SA Tourism Industry Council, the awards feature 25 categories celebrating tourism businesses and organisations that have demonstrated excellence and innovation through the year.
Artistic Director Joseph Mitchell said the award win reflected OzAsia Festival’s position as one of the most iconic international arts festivals in Australia.
“We provide audiences with the opportunity to connect with world-leading artists and productions – which in 2018 included five world premieres, 20 Australian premieres and 22 events exclusive to South Australia. The programme featured 817 artists from 20 different countries and was well received by audiences with rave reviews and numerous sold-out performances.”
Held from 25 Oct to 11 Nov, the 12th annual OzAsia Festival 2018 boasted 200,000 attendances across a wide range of free events and ticketed shows. It also included the Borak Arts Series conference and the inaugural JLF Adelaide – a satellite event of the internationally renowned Jaipur Literature Festival.
JLF Adelaide at OzAsia Festival
Adelaide Festival Centre CEO & Artistic Director Douglas Gautier AM: “For more than a decade, OzAsia Festival has been at the forefront of artistic excellence and celebrating cultural diversity in our state and country. We are honoured to be recognised by the South Australian Tourism Industry Council and we feel that this award acknowledges the hard work of everyone involved to make this Australia’s leading contemporary arts festival engaging with Asia.”
Sutra at OzAsia Festival
Highlights of the OzAsia Festival 2018 programme included Sidi Larbi Cherkaoui’s iconic acrobatic masterpiece Sutra and legendary playwright and director Stan Lai’s beloved modern classic Secret Love in Peach Blossom Land.
Click here to visit Adelaide Festival Centre’s website.