In This Season
2024/2025 the New National Theatre Tokyo Season
The New National Theatre Tokyo (NNTT) is delighted to announce its 2024/2025 Season starting from 3 Oct 2024.

The 2024/2025 Opera season under Artistic Director, Kazushi Ono offers three new productions ― two NNTT premieres, one world premiere, as well as six revivals.
The NNTT kicks off its 2024/2025 season with the long-awaited NNTT premiere of Bellini’s enchanting opera La Sonnambula, directed by Bárbara Lluch.
Amina is played by Rosa Feola, whose beautiful voice has been heard at New York’s Metropolitan Opera and other opera houses around the world; Elvino is played by Antonino Siragusa, who has impressed audiences with his extraordinary voice and acting ability. Count Rodolfo is played by our nation’s star singer, Hidekazu Tsumaya. It will be conducted by Maurizio Benini, a renowned master of Italian opera.
The second new production of the season is the Japan stage premiere of Rossini’s Guillaume Tell in the original French. The legendary director/designer Yannis Kokkos returns to the NNTT to create a brand new production. Artistic Director Kazushi Ono conducts the production, with the title role sung by the young, yet noble baritone Gezim Myshketa (who has already made his reputation in this role) and Arnold by René Barbera, who wowed audiences as Don Ramiro in La Cenerentola at the NNTT in 2021 with the brilliance of his high notes and the beauty of the soft notes. Star soprano Olga Peretyatko will make her long-awaited return to the NNTT as Mathilde.
The newly commissioned opera Natasha composed by Toshio Hosokawa will have its world premiere in Aug 2025. Globally acclaimed author Yoko Tawada is working on the libretto for the new work. The story focuses on an encounter between Natasha, a wandering immigrant driven out of her hometown, and a young man named Arato, as well as a Mephistopheles-like figure who shows and leads the pair through various scenes of human hell. Multilingual with Japanese, German and Ukrainian languages and others, the opera compares and contrasts the origins of modern civilisation and humanity. The world premiere will be conducted by Kazushi Ono, and the direction and set design of this innovative creation are entrusted to Christian Räth. The international cast including Ilse Eerens, Hiroka Yamashita and Christian Miedl join the NNTT for the new work.
The NNTT’s repertoire will be staged with acclaimed singers and conductors.
2024/2025 Opera season
La Sonnambula / Vincenzo Bellini [New Production]
3 – 14 Oct 2024
Co-production with Teatro Real of Madrid, Gran Teatre del Liceu, Teatro Massimo di Palermo
Guillaume Tell / Gioachino Rossini [New Production]
20 – 30 Nov 2024
Die Zauberflöte / Wolfgang Amadeus Mozart
10 – 15 Dec 2024
Der fliegende Holländer / Richard Wagner
19 Jan – 1 Feb 2025
Eine florentinische Tragödie / Alexander Zemlinsky
Gianni Schicchi / Giacomo Puccini
2 – 8 Feb 2025
Carmen / Georges Bizet
26 Feb – 8 Mar 2025
Madama Butterfly / Giacomo Puccini
14 – 24 May 2025
Il Barbiere di Siviglia / Gioachino Rossini
25 May – 3 Jun 2025
Natasha / Toshio Hosokawa [New Production / Commissioned Work, World Premiere]
11 – 17 Aug 2025
2024/2025 Season Opera
https://www.nntt.jac.go.jp/english/2024-25season-opera.html

Kazushi Ono, the Artistic director of Opera
The National Ballet of Japan’s (NBJ) 2024/2025 season under Artistic Director, Miyako Yoshida sees one world premiere, two company premieres alongside beloved classics.
The triple bill Ballet Coffret will feature two company premieres – Harald Lander’s Etudes and William Forsythe’s The Vertiginous Thrill of Exactitude, along with Michel Fokine’s The Firebird, making a return after 12 years. The trio of works have been especially chosen to showcase the technical virtuosity and stylistic versatility of the dancers of the NBJ.
The NBJ dancer Keigo Fukuda will create a one-act work for the company’s Young NBJ GALA 2025, which aims to nurture young dancers. A member of the NBJ Choreographic Group, Fukuda has worked with emerging dancers of the company over the past few seasons.
The NBJ’s 2025 highlight will be the company’s UK debut at the Royal Opera House in London, generously supported by Kinoshita Group Co., Ltd. The company will give five performances of Giselle in a celebrated production by the artistic director Miyako Yoshida who was for 16 years a Principal Dancer of The Royal Ballet. In collaboration with award-winning British choreographer Alastair Marriot and designer Dick Bird, Yoshida’s Giselle will also be performed in Tokyo in April 2025 before travelling to London.
National Ballet of Japan’s (NBJ) 2024/2025 Season
The Sleeping Beauty
25 Oct – 4 Nov 2024
DANCE to the Future 2024
29 Nov – 1 Dec 2024
The Nutcracker and the Mouse King
21 Dec 2024 – 5 Jan 2025
Ballet Coffret
Etudes [Company Premiere]
The Vertiginous Thrill of Exactitude [Company Premiere]
The Firebird
14 – 16 Mar 2025
Obachetta
29 – 30 Mar 2025
Giselle
April 2025 at Tokyo / 24 – 27 July 2025 at Royal Opera House, London, UK
Alice’s Adventures in Wonderland© by Christopher Wheeldon
12 – 24 Jun 2025
Co-production with: The Australian Ballet
Young NBJ GALA 2025
O Solitude
A New Work by Keigo Fukuda [Commissioned work by the NBJ, world premiere]
12 – 13 Jul 2025
2024/2025 Season for the NBJ
https://www.nntt.jac.go.jp/english/2024-25season-ballet-dance.html

Miyako Yoshida, the Artistic director of Ballet & Dance
The 2024/2025 Drama season under Artistic Director, Eriko Ogawa offers seven ambitious productions.
This season opener in October is Martin McDonagh‘s The Pillowman. Set in the irrational and cruel world of a fictional country, the story asks questions about the roles and significance of storytelling.
In Nov, we premiere the new play Thebes scripted by Yuta Funaiwa based on the stories of Oedipus Rex, Oedipus at Colonus, and Antigone.
Mikhail Bulgakov‘s The White Guard is coming up in December. Set in the Ukrainian capital of Kyiv just after the Soviet regime takes hold, the story provides insight into present-day events and sheds light on the history behind the ongoing war.
In April 2025, we present Juro Miyoshi’s Yoru no Michizure, directed by Akinori Yaginuma, in a new trial format called Studio Performance.
From May, we are presenting our series, Landscapes – Into the Beyond. This series shines a light on modern-day society through various scenes focusing on the smallest unit of society, the family. In collaboration with the Czech Republic’s The National Theatre Brno, we invite their production of Karel Čapek‘s Mother as the first work in the series.
The second instalment in the series is the Japan Premiere of Stephen Karam‘s The Humans. This work, which was adapted into a film after winning a Tony Award, delves into the existential anxiety and unshared fears of individuals in modern society, even within close family circles.
The third work in the series features Morning Disappearance, written in 2018 for the NNTT by Ryuta Horai. Entirely cast through auditions, this production will be directed by Horai himself.
2024/2025 Drama Season
The Pillowman
3 Oct – 27 Oct 2024
Thebes
7 Nov – 24 Nov 2024
The White Guard
3 Dec – 22 Dec 2024
Yoru no Michizure
April 2025
Landscapes – Into the Beyond – Vol.1
Mother
May – June 2025
Production of the National Theatre Brno Drama Company
Landscapes – Into the Beyond – Vol. 2
The Humans
June 2025
Landscapes – Into the Beyond – Vol.3
Morning Disappearance
July 2025
2024/2025 Season Drama
https://www.nntt.jac.go.jp/english/2024-25season-drama.html

Eriko Ogawa, the Artistic director of Drama